Archive | November, 2011

La Comtesse de Castiglione – The Original Daphne Guinness

30 Nov

In celebration of Daphné Guinness’ new collaboration with MAC, I thought I’d share with you the story of Virginia Oldoini, the Countess of Castiglione… who was essentially the Daphne Guinness of 19th century Paris.

You see, the countess was Italian, but she captured not only the heart of Napoleon III, emperor of the French, but Paris and it’s literary and artistic élite as well. One might even draw a parallel with Ms. Guinness’ ongoing affair with French philosopher Bernard-Henri Lévy, modern royalty (of sorts) in his own right.

The Countess of Catiglione was born into a family of minor Tuscan nobility  in 1837, and married the count of Castiglione at the age of 17. In 1865 she arrived in Paris, to plead for Italian unity on behalf of her cousin, then a minister to the king of Sardinia. This Italian beauty at once fascinated the members of the imperial court, and it wasn’t long before she became mistress to the emperor himself. She was decadent and extravagant, and all of Paris buzzed with gossip about her.

Interested in photography, a recent invention of this time, she started sitting for Mayer & Pierson, which was a studio favored by the court. She sat for a number of eccentric portraits until she left Paris in 1858, following her separation from her husband, due to the scandal surrounding her liaison with Napoléon III. Her collaboration with Pierre-Louis Pierson was to span 4 decades and encompass some 700 photographs, each one a study in beauty and eccentricity, many of which sought to capture the great moments of her life, all bedecked in the over the top Charles Worth confections so en vogue at the time. The countess was, perhaps, the first photographic muse in history – though it was she who dictated the nature and direction of her photo shoots, not the photographer himself !

She returned to Paris in 1861, carrying on a string of affairs with politicians and members of the nobility, and captivating all Paris with her beauty, mystery, and glamour. After the fall of the empire, she remained in Paris, but though she continued taking photographs, she became a virtual recluse, terrified of showing her aging face to the world. Though she tried to organize a showcase of her photographs for the Universal Exposition of 1900, she died shortly before, at the age of 62.

Death, however, could not stop the formidable Virginia, as two films and a number of biographies (including the 1913 oeuvre of Robert de Montesquieu) have shared her life story. 433 of her photographs are now part of the permanent collections of the Metropolitan Museum of Art, in New York.

The countess of Castiglione was a woman fascinated by her own beauty, but who above all enjoyed playing with her image, using then revolutionary technology to do so. She consecrated nearly her entire fortune to these photographs, and they leave us today with a tantalizing snippet into the beau monde of 19th century Paris, as well as a lasting vision of her own dark beauty.

You can purchase the Daphné Guinness x MAC collection on their website from December 26th (US) or January 1st (international). The deep, sultry colors remind me a great deal of the countess, and I’m sure she would have approved of such a display of coquetry.

Source: http://www.metmuseum.org/toah/hd/coca/hd_coca.htm

 

Sampar Paris Skin Quenching Mist

30 Nov

I had the chance to spend a few months, this past winter, in a ski resort in Switzerland. While the high altitude did some insane things to my skin, the lack of pollution meant my skin ended up being clear and shiny (in a good way!), without any blemishes at all. When I got back to Paris, which is ultra-polluted, in April, my skin immediately did things it’s never done before – blemishes but also greasiness alternating with tightness, with flakiness around my nose, eyebrows, and chin. My skin was obviously happy with the pure mountain air and was revolting against being back in smoggy, foggy, Paris!

I clearly needed some products STAT to get my skin back to something resembling human, and decided to choose a brand specializing in ‘Urban’ skin, which led me to Sampar Paris, a Parisian brand that’s sold all over the world, and especially present at Sephora France. Their motto is ‘Urban Advancement’, and the products were designed by a Parisian doctor to deal with pollution-stressed skin. The Sampar website says this product contains:

“Urban Advance Complex, a powerful alliance of 3 active ingredients (shea butter serum, mint endorphin and probiotic sugar), acts as an anti-oxidant shield, neutralizing any cutaneous imbalances linked to pollution, strengthens the skin’s natural defenses and shocks the skin back to life on a cellular level.”

I love boutique skin care companies because I’ve found some miracle products with unknown brands, and decided to give Sampar a go…. and wish I hadn’t!

I bought the Skin Quenching Mist, which retails at 18 Euros for 100ml (3.4 oz) – it purports to be ultra-hydrating while still remaining lightweight, and alcohol-free (which should have been my first warning, because what moisturizer uses alcohol??). It wasn’t really cheap but with the weather warming up, something lightweight but still hydration was needed.

You can see how insanely dirty the bottle got!

It’s housed in a pretty pale pink bottle with a silver cap, and the design is fabulous, but the matte plastic on the bottle (much like Nars makeup) means it got smudged very quickly with makeup. I enjoyed the idea of being able to spritz on my skin’s hydration, being the lazy person that I am.

I tried loving this stuff… I really did, but to this day, I still don’t know if this is a toner or a moisturizer, legitimately. When I used it as a moisturizer, my skin felt anything but soft – it felt tight and slick, and the product didn’t melt in to my skin at all. When I used this as a toner under another face cream, it left a film on my face, preventing my moisturizer from penetrating into my skin. Even under makeup, the Skin Quenching Mist made it slide off. I brought this with me on vacation this summer, hoping to use it at the beach to refresh my skin, at the very least, but it still left this terrible film that made my face feel greasy and tight at the same time !

100ml is not a great deal of product and now, 7 months later, my bottle is probably 3/4 full, which is very abnormal for a skin care junkie like me.

Verdict ? This is going in the trash. I imagine some of their products work well for some people, as the company has been around since the 80s, but based on my experience with this product, I won’t be trying the rest of the range.

Naked 2 Swatches?

29 Nov

Ladies and Gentlemen, I thought I’d share this with you  ….

Image Courtesy Urban Decay Cosmetics

3 swatches directly from Urban Decay Cosmetics official facebook !

Looks very cool toned and very shimmery so far.

So, what do we think ?!

XX La Coquette

Source: http://www.facebook.com/urbandecaycosmetics

UPDATE: Via UrbanDecay411 on Twitter:

Photo Courtesy Urban Decay Cosmetics

Swatch of Snakebite, exclusive to the Naked 2 palette! I’ll post these all in a roundup once everything is posted!

Presented Without Comment….

29 Nov

This a before and after image from last night’s premiere of ‘Desperate Scousewives’, which is basically Northern England’s answer to  Jersey Shore/TOWIE with a Liverpudlian accent.

“Make Up Artist” (contemporary artist?) Jodie Lundstram presents us with… the SCOUSEBROW.

Stay Classy, Liverpool !

Source: www.dailymail.co.uk

(Editor’s Note: I love Liverpool and even have a few Scouser friends – but this… THIS ! Really though!)

 

Marni for H&M

29 Nov

I don’t usually blog about fashion (this being a beauty blog, and all), but news popped up in my inbox this morning from WWD that H&M’s next collaboration is with…

MARNI!

OH. MY.GOD.

You know, I didn’t even give Versace for H&M a second look (previews made it look like clothes for 4 year old trophy wives, a strange juxtaposition indeed), but MARNI ? So amazing !

Looks like it’s going to hit stores in March, meaning less wait time than for most of the previous H&M designer collaborations. As a fan of Marni’s  simple tailoring and quirky aesthetic, I’m so enthusiastic about this – especially because I think this is one brand who’s vision really pairs well with H&M’s. Also, their simply cut clothes will work well for the high street, unlike the Lanvin disasters of 2010. Then again, I did arrive at H&M at 5am (in the snow) for the Sonia Rykiel collab……………………..

What do you think of the upcoming Marni x H&M collaboration? Will you be buying?

 

UPDATE: There’s a video !

Source: http://www.wwd.com/fashion-news/fashion-features/hm-sets-collaboration-with-marni-5397020?src=nl/newsAlert/20111129-1

Image Source: http://www.cosmopolitan.co.uk/fashion/news/marni-for-h-and-m-collaboration-announced

Diptyque Perfume

29 Nov

Last week, I received two bottles of my favorite perfumes as a sort of Thanksgiving gift, and I am elated !

You see, I love boutique and niche brands, and I love all things vintage and French, so Diptyque is right up my alley.

There is something wonderful in smelling rare, of truly having a signature fragrance – when you buy a best-selling perfume, even if your skin’s chemistry will change the perfume, you will essentially be wearing the same fragrance as other people. While perfume like this is a rare luxury (thankfully, these bottles were gifts!), if you’re a perfume addict like me, they’re worth every cent.

Diptyque is one of those iconic French luxury brands – the candles are absolutely cult, and I lusted over them for nearly 10 years before getting my first one. Most of the chic Parisian homes I visit have a Diptyque candle, everywhere from the left bank intelligent crowd in Saint Germain des Près to the glamorous apartments on the Avenue Montaigne. It wasn’t until later that I discovered Diptyque perfumes, and I am SO glad that I did – when I wear them, people say I smell rare, feminine, and even expensive, which are strangely pleasant compliments to hear on one’s perfume.

All of Diptyque‘s fragrances are unisex and made with the finest ingredients. They use some of the best ‘noses’ in the business, and have created a cult, if exclusive, following for their fragrances – I have a number of friends, both male and female, who swear by their Philoskyos perfume, described as THE fig perfume to end all fig perfumes! They also have a range of luxury skin care, which is very tempting, but also excessively expensive (perhaps once I’ve made my first million, I’ll indulge)!

Inside the simply chic white gift bag, I found two fragrances wrapped up in brightly colored tissue paper – Vetyverio, my usual fragrance, and L’ombre dans L’eau, a new treat.

 

The packaging is lovely with thick glass bottles and hand designed labels that I feel give the bottles a bit of intellectual charm, as though they came from a secret apothecary many decades ago.

 

 

The first perfume is Vetyverio, which I have been wearing for about a year and a half, regardless of season. It is described as a woody fragrance with notes of mandarin, grapefruit, lemon, bergamot, ylang ylang, Turkish rose, geranium, vetiver, carrot seeds, nutmeg, apricot, clove, cedar and musk.

From the Diptyque website: “Ambivalence, elegance and sensuality, both masculine and feminine. The highly masculine vetiver plays an intimate adagio with the most feminine of all flowers: the rose.”

The citrus top notes, while classifying this technically as a chypre fragrance (oh so trendy in Paris these days) aren’t noticeable on my skin, but what I do get is powdery rose on the first smell, with a dry down of vetiver, geranium, and rose. This perfume is so unique because it is the ONLY vetiver fragrance I know of that manages to remain feminine, and doesn’t use overpowering musk. On my skin, this smells clean, fresh and bright – the geranium makes appearances throughout the day to keep this very green indeed – and I do get strong hints of the rose as well (which as you know, I enjoy). Some people have reported getting whiffs of sweet apricot, these don’t make an appearance at all on me. There is nothing synthetic about this fragrance, which is a wonderful change from so many of the perfumes on the market today. The sillage is excellent and stays throughout the day – but I have to be careful to apply this sparingly, otherwise it can be overpoweringly floral and fragrant. To speak of the lasting power – I sprayed this on my scarf last week and it still smells as though I had just sprayed it, despite numerous cigarette breaks. While this would work well on both men and women, I do find that the rose that comes out so clearly on my skin makes this more of a feminine fragrance for me – though rose was once a staple in men’s perfume!

 

 

The second perfume, L’ombre dans L’eau, is one that I had fallen in love with but not yet bought for myself. Launched in 1983, it is described as a floral fragrance with notes of blackcurrant nectar and Bulgarian rose.

From the Diptyque website: “Recalls the rustling of petals and the leaves of bushes heavy with fruit in an English garden.”

What’s strange about this fragrance is that the fruity notes don’t show at all on my skin. This fragrance is VERY green, perhaps even overwhelmingly so. The only way that I could possibly describe it would be like walking in a wet garden, crushing ivy underfoot – which makes this fragrance a little bit magical for me, reminding me of the ivy in our garden when I was a little girl. This fragrance is sharper than Vetyverio, with none of the powder of the former, and takes me a few seconds before I can really enjoy it. Once the initial sharpness has worn off, though, this really mellows out on my skin and becomes something I really enjoy – it smells clean, green and bright and very true to nature (once again, no synthetic notes in this one). While the name might mean ‘shadow on the water’, this perfume makes me think of clear sunshine after a rainstorm in spring, and due to that, is more a warmer weather fragrance for me. The roses aren’t as defined as they are in Vetyverio, perhaps due to the extreme green feel, but instead work with the fragrance as a whole. Some have reported getting too much cloying blackcurrant with L’ombre dans L’eau, but as with Vetyverio, I don’t get the sweet notes at all on my skin – perhaps my body eats sweet fragrances and only exudes floral ones? Who knows! This scent is truly neither feminine nor masculine, despite the rose and blackcurrant – it is so very fresh and clean smelling that it would work excellently on anyone who likes clean, grassy fragrances – this gets an A+ on versatility and wearability. The sillage, as always, is fabulous, so spray with discretion and is very long-lasting.

I’m so happy to have been reunited with my favorite Vetyverio and to have added L’ombre dans L’eau to my collection after a long wait – these were wonderful gifts, and would make excellent Christmas gifts as well if you know the fragrance preferences of the receiver. Everything about this brand is beautiful and simple – the picture of refined, Parisian elegance, though I do think that the gift packaging could have been a bit more festive. In a day and age where it seems I smell Thierry Mugler‘s terrible ‘Angel’ and the sickly sweet ‘Amor Amor’ by Cacharel everywhere I turn, it’s wonderful to be able to find a signature fragrance, especially ones that are so evocative of olfactory memories.

 

Each bottle is 120 USD for 3.4 Oz/100ml, or 88 USD for the smaller (50ml) versions.

Diptyque is sold at their boutiques in New York and SF, as well as at selected Neiman Marcus and Barney’s stores.

Visit their US website for more information:

http://www.diptyqueparis.com/

 

Note: If you’re in Paris for the holidays, Diptyque currently has a pop-up store open at Galleries Lafayette Maison on Boulevard Haussmann. You won’t see me there due to insane crowds on the blvd at this time of year, but it might be worth a peek if you’re in the neighborhood!

Stila’s Cyber Monday Deals & Steals

28 Nov

I was just playing on Twitter when I saw amazing news…

Stila is going all out for Cyber Monday with a warehouse sale, up to 80 percent off retail prices.

www.stilacosmetics.com

Visit the site now before everything’s sold out … the eyeshadow pans are a steal at 6 USD each !

My Favorite Reds for Nails

28 Nov

Late Autumn, and despite  my bitten nails, all I want on my hands is deep, gorgeous red – who doesn’t, at this time of year?

(natural light) From L to R: Big Apple Red, From A to Zurich, Cosmic Violine, Red Dream, Rouge Noir

Red works year-round, but my favorites are vampy shades and deep, complex reds. When the holiday season starts, I also don’t mind a bit of glitter on my nails, for an extra festive touch.

Here I’ve swatched my five favorite reds for the season:

(natural light) From L to R: Big Apple Red, From A to Zurich, Cosmic Violine, Red Dream, Rouge Noir

(with flash) From L to R: Big Apple Red, From A to Zurich, Cosmic Violine, Red Dream, Rouge Noir

(natural light) From L to R: Big Apple Red, From A to Zurich, Cosmic Violine, Red Dream, Rouge Noir

from left: OPI – Big Apple Red, OPI – From A to Zurich, Chanel – Cosmic Violine, Chanel – Red Dream, Chanel – Rouge Noir

Shade descriptions:

OPI polish in Big Apple Red

OPI‘s Big Apple Red is actually my year round go to red. It’s a true candy apple red shade, neither blue nor orange based, with a rich (but not quite cream) formula and no shimmer. This red is loud, brash and fun and easy to work on a daily basis. It’s somehow very clean while still looking very pin-up – I suppose I might call it a ‘Marilyn’ style red ? It’s an easy one to find a dupe of ( China Glaze‘s Hey Sailor comes to mind immediately), just because it’s a really classic shade, but I still love this classic.

OPI polish in From A to Zurich

OPI’s From A to Zurich is more berry than red, and works well for the season. It has cooler undertones which work well with my skin tone, and though it’s a bright shade, it looks more subtle and perhaps a bit more classic than Big Apple Red. This is a deep, cream formula with no shimmer, which makes it versatile.

Chanel Le Vernis in Red Dream, Photo Courtesy Blogdorf Goodman

Chanel Le Vernis in Cosmic Violine, from the 2009 Celestial Lights collection, is an incredible brown-red shade with tiny gold micro-glitter. In French the shade would be described as ‘lin de vin’, or basically a very deep, slightly warm, browned wine. The micro-glitter gives just a hint of festive shimmer without being too bold, and looks lovely on short nails. The formula is sheer – you’ll need at least two coats for very rich color – but with a top coat, this really shines and looks multidimensional. I LOVE this shade – and am wearing it right now! I prefer this to Red Dream, the next shade, because the brown keeps it looking a little bit more refined, if less festive. Closest dupe would be OPI‘s Kris Kringle.

Chanel Le Vernis in Red Dream is similar to Cosmic Violine in formula, but is far redder. This is a deep cherry shade with a blue undertone, with superfine pinked red micro-glitter. Like Cosmic Violine, it goes on sheer with the first coat, but with a second coat evens out to a rich, multidimensional shade with a slightly jelly finish. Though this shade is far more festive than Cosmic Violine, I find it a tad less original, though still beautiful. I do get a fair amount of compliments when I wear this shade ! This is similar to Yves Saint Laurent Nail Varnish in Number 5, but slightly lighter and cooler.

Chanel Le Vernis in Rouge Noir

Chanel Le Vernis in Rouge Noir – this shade is just so CLASSIC! I rarely finish bottles of polish, but am on my third bottle of this. This is a similar shade to Chanel Vamp, which I remember being all the rage in the 90s, but is deeper. How to describe a shade so innovative and so classic?! It’s basically a blackened red, more black than red, with slight hints of brown. This shade is a cult classic now, and is a very elegant way to wear dark colors on your nails without going for full on black. This polish has a very wet finish, so after a coat of top coat, continues looking glossy – which I think makes it look elegant. This is a very film noir sort of shade, and works perfectly for fall and winter. It’s not 100 percent dupeable, because of the red base, but Dolce & Gabbana‘s Dahlia comes close.

These are my favorite reds for fall and the holiday season, but I know they don’t work on everyone. Leave me a comment with your favorite shades for the holidays !

Is this confirmation of the Naked 2 palette?

28 Nov

As of this morning, Urban Decay has posted a not so cryptic photo on their website, inviting us to sign up for email updates for their big news…

Echoing the new palette’s metal casing, with nothing other than ‘Naked’…. this looks like a confirmation to me !

Are we excited? !

Sunday Night Delight

27 Nov

After a long Thanksgiving weekend and ‘Black Friday’, you might need a little Sunday evening treat….

 

 

 

 

…. Vintage dancing makeup  might just do the trick ! June Haver and Betty Grable play the real life Dolly Sister duo in this 1954 musical. So kitsch – I love it !

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